From Evernote: The Religious Experience of Philip K. Dick by R.Crumb
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art
Artist Files Lawsuit Against The Associated Press Over Image of Obama
The suit asks the judge to declare that Mr. Fairey’s work is protected under fair-use exceptions to copyright law, which allow limited use of copyrighted materials for purposes like criticism or comment.
“Fairey did not do anything wrong,” said Julie A. Ahrens, associate director of the Fair Use Project and another of Mr. Fairey’s lawyers, in a statement on Monday. “He should not have to put up with misguided threats from The A.P.” Paul Colford, a spokesman for The A.P., said on Monday that the agency was “disappointed by the surprise filing by Shepard Fairey and his company and by Mr. Fairey’s failure to recognize the rights of photographers in their works.”
He added: “A.P. was in the middle of settlement discussions with Mr. Fairey’s attorney last week in order to resolve this amicably and made it clear that a settlement would benefit the A.P. Emergency Relief Fund, a charitable fund that supports A.P. journalists around the world who suffer personal loss from natural disasters and conflicts.”
Mr. Fairey, 38, has become one of the most visible practitioners of a guerrilla-style art that has grown out of the graffiti scene but has expanded beyond paint to include a wide variety of techniques and materials, producing works usually displayed illegally on buildings and signs.
Mr. Fairey decided to create the image on his own before contacting the Obama campaign, which welcomed it but never officially adopted it because of copyright concerns. Before the election, Mr. Fairey was best known for his fake-advertising stickers and posters, pasted in cities across the country, showing an ominous, abstracted image of the wrestler Andre the Giant along with the word “Obey.”
via nytimes.com
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Paintings by Jack Frost
via pbase.com
These shots remind me of the patterns on the INSIDE of my bedroom window in the winter when I was a kid in New England. This was before "airtight" storm windows.
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art
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U B U W E B - Film & Video: Sam Taylor-Wood - A Little Death (2002)
via ubu.com
Taylor-Wood updates traditional still life imagery. What seems at first to be a quiet arrangement of a dead hare and peach on a table starts to decompose before our eyes. Rather than attempting to capture a moment in time, the viewer is put face to face with a speeded up decomposition of the subject matter. Taylor-Wood brings home the transience of biological life, and the viewer's mortality. This work explores the issue of temporality, an idea which permeates the artist's oeuvre, where a course of action can change radically even within the space of a few seconds.
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art
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